Writing
2025
Windows and MIrrors | essay collection | Art Ink
I am an invisible man: This is how I became a curator | Meanjin magazine
2022
The Dingo Project | exhibition catalogue | Ngununggula Gallery
2019
Who Are These Strangers and Where Are They Going | catalogue essay | Fiona Foley Ballarat International Foto Bienal
Blak Lik Mi | Blak Queensland Portraits | Cairns Art Gallery
Politico-Magic-Realism | short essay | Destiny Deacon
2018
On Michael Riley’s flyblown | essay | Murray Art Museum Albury MAMA
The Road to Bentinck Island: Sally and Her Sisters – Sally and Her Daughters | The Indigenous Story Project
Archie Moore 1970-2018 | review | Artlink
2017
Lucky Country | Adam Hill aka Blak Douglas | catalogue essay | National Indigenous Art Triennial National Gallery of Australia
Four Women (I do belong) Double | catalogue essay | Lismore Art Gallery
The Masque Ball of Tracey Moffatt | review | Australian Pavilion at the 57th Venice Biennale, Artlink
2016
‘An assertion of continued presence | essay | University of New South Wales Galleries
2015
Woman on the Dunes | interview | Fiona Foley, Artlink
The Aboriginal Memorial to Australia’s forgotten war | essay | Artlink
2014
Aboriginal performance art: How bizarre! | essay | Artlink
2008
Deacon-structing Destiny | essay | Clandestine exhibition, Destiny Deacon and Virginia Fraser, Tandanya, Adelaide Arts Festival